SAN FRANCISCO — Advances in synthetic intelligence are coming so arduous and quick {that a} museum in San Francisco, the beating coronary heart of the tech revolution, has imagined a memorial to the demise of humanity.
“Sorry for killing most of humanity person with smile cap and mustache,” says a monitor welcoming a customer to the “Misalignment Museum,” a brand new exhibit on the controversial expertise.
The items on this non permanent present combine the disturbing with the comedian, and this primary show has AI disburse pithy observations to the guests that cross into its line of imaginative and prescient.
“The concept of the museum is that we are in a post-apocalyptic world where artificial general intelligence has already destroyed most of humanity,” mentioned Audrey Kim, the present’s curator.
“But then the AI realizes that was bad and creates a type of memorial to the human, so our show’s tagline is ‘sorry for killing most of humanity,'” she mentioned.
Artificial General Intelligence is an idea that’s much more nebulous than the straightforward AI that’s cascading into on a regular basis life, as seen within the quick emergence of apps corresponding to ChatGPT or Bing’s chatbot and all of the hype surrounding them.
AGI is “artificial intelligence that is able to do anything that a human would be able to do,” integrating human cognitive capacities into machines.
All round San Francisco, and down the peninsula in Silicon Valley, startups are sizzling on the path of the AGI holy grail.
Sam Altman, the founding father of ChatGPT creator OpenAI, has mentioned AGI, executed proper, can “elevate humanity” and alter the “limits of possibilities.”
Paperclip AI
But Kim needs to set off a mirrored image on the risks of going too far, too shortly.
“There have been lots of conversations about the safety of AI in pretty niche intellectual tech circles on Twitter and I think that’s very important,” she mentioned.
But these conversations should not as simply accessible to most people as ideas that you may see or really feel, she added.
Kim is especially keen on a sculpture known as “Paperclip Embrace”: two busts of people holding one another, made fully of paperclips.
The work refers to a metaphor by thinker Nick Bostrom, who within the 2000s imagined what would occur if synthetic intelligence was programmed to create paper clips.
“It could become more and more powerful, and constantly optimize itself to achieve its one and only goal, to the point of destroying all of humanity in order to flood the world with paper clips,” Kim mentioned.
Weighing the professionals and cons of AI is a topic that turned near Kim’s coronary heart in an earlier job working for Cruise, an autonomous car firm.
There she labored on an “incredible” expertise, which “could reduce the number of accidents due to human error,” but in addition introduced dangers, she mentioned.
The exhibit occupies a small area in a avenue nook constructing in San Francisco’s hip Mission neighborhood.
The decrease ground of the exhibition is devoted to AI as a nightmarish dystopia the place a machine powered by GPT-3, the language mannequin behind ChatGPT, composes spiteful calligrams in opposition to humanity, in cursive writing.
One exhibit is an AI-generated—and completely pretend—dialogue between the thinker Slavoj Zizek and the filmmaker Werner Herzog, two of Europe’s most revered intellectuals.
This “Infinite Conversation” is a meditation on deep fakes: photos, sound or video that purpose to govern opinion by impersonating actual folks and which have turn out to be the most recent disinformation weapon on-line.
“We only started this project five months ago, and yet many of the technologies presented here already seem almost primitive,” Kim mentioned, astonished.
She hopes to show the exhibit right into a everlasting one with extra space and extra occasions. — AFP
Source: www.gmanetwork.com
