Beef and bananas: Strip king goes global

Even within the midst of a world pandemic, Billy Cross discovered a strategy to give the folks what they wished – chiselled Aussie hunks bumping and grinding on stage.

The driving power behind the powerhouse all-male strip reveals Manpower and Thunder from Down Under smiles: “This will make you laugh but the guys were dancing in a G-string and a [surgical] mask.

“Then we introduced clear masks so you could still see that they were smiling behind the mask.

“A lot of our performance is about showing these great endearing smiles. So, we found a way to make it work.”

Cross’ cheeky Covid response is simply the newest instance the can-do angle that has seen him amass a multimillion-dollar empire and produce stripping out of the shadows and into the world highlight.

Thanks to Cross, greater than 10 million folks have ogled Thunder from Down Under’s antipodean Adonises throughout their 31 years in Las Vegas.

“Thirty years ago, our shows were seen predominantly by women,” he says.

“It’s just how it was. The guys would never go. But the world is changing, and if you went to Vegas today our audience is 30 per cent guys. Now they feel comfortable.”

Stripping itself has additionally moved with the instances. When Cross first began dancing within the Nineteen Eighties, the blokes usually maintained their seems with steroids and solariums. Today’s dancers as an alternative depend on spray tans and “a bit of manscaping” to look their greatest.

Likewise, within the aftermath of #metoo, the leisure trade is evolving to put rising emphasis on the wellbeing of performers working in sexually charged environments. On movie and TV units, that has meant the instruction of intimacy coaches to choreograph intercourse scenes.

“We are not at that level yet, but will we get to that? Probably yes,” the 58-year-old married dad-of-two says, earlier than including that Thunder from Down Under isn’t your stereotypical seedy strip present.

“Yes, the ladies and the guys [in the audience] get excited but not to the point where we need to have measures in place [to protect the dancers].

“It never gets to that next level and that’s because of the environment. If you are in a nightclub environment, you probably get more guys and girls who get out of control, but when you are in a theatre or a casino or a reputable venue, really, it’s just more of a cheeky: ‘Hey, don’t touch there’ [to get people to calm down].”

Certainly, movies like Magic Mike starring Channing Tatum have ushered stripping into mainstream common tradition, making reveals like Thunder from Down Under a vacation spot for Hollywood’s A List.

“Just recently we had Britney Spears in, and Demi Moore and Shania Twain,” he says.

“Just two weeks ago we had Sting and his wife [Trudie Styler] in the audience. Without name dropping, I could go on and on. They feel comfortable here.

“It’s always the dream of any artist, actor or band to make it in America, and we have the keys to Las Vegas, and you get that after 21 years on the strip.

“You look at the other people who have got that, it’s Elvis, it’s Frank Sinatra, it’s Siegfried and Roy. It’s huge.”

After greater than three a long time in Vegas, throughout which period Cross give up performing to concentrate on managing the troupe, he was poised to open a brand new present in Nashville – America’s new go-to for bachelorette events – when Covid hit.

“And then, bang, the taps got turned off,” he shrugs.

Business reopened in 2021, Cross continues, with some modifications.

“The show was limited to 50 people [from the usual capacity of 450], and we had a barrier so the guys couldn’t go into the crowd. So, we reduced our shows, but we made do.

“Our boys stayed in America and, for 10 months of 2020, they weren’t working, so we had to support them through that. Now we are back on a roll, and we’ve got momentum back.”

Cross is definitely again with a bang. The surgical masks have come off and – along with opening in Nashville – Cross is plotting an growth into Asia and Europe.

Believe it or not, the overall thrust of the routines interprets into most cultures and languages. It’s inside America itself that Cross has needed to make the most important modifications.

“In the Midwest or southern states, they won’t let them dance in a G-string – or, as they call them in America, a thong – so they have to wear little bootie shorts,” he says with a chuckle.

“The Asian countries we go to are very liberal. Of course, the host will have a couple of one-liners in the local language, which works really well. The quality and professionalism of our show works well in different places, so we don’t have to make many changes, other than covering up the butt cheeks [in more conservative parts of America].”

Cross has additionally inked a deal for a TV present. Called Flip The Strip, it showcases the Thunder lads’ commerce expertise. Just like Cross himself and his Nineties Manpower sidekick-turned-TV-landscaper Jamie Durie, most of the guys are real Aussie labourers – which, he reckons, provides to their distinctive allure.

“So, the boys go in and renovate houses during the day and then take their clothes off on stage at night,” he says.

“It’s amazing … there’s so many elements of this business going to new levels.”

All these new strikes means including extra dancers to his core crew of 28 muscular Australian males. And Cross trusts his spouse Jackie with serving to him resolve who makes the lower.

“Times have changed from say 20 or 30 years ago when you had to be big and muscly [to be a stripper],” he says.

“These days the audience wants to see an athletic body, so you want guys who are fit rather than muscly. I know this sounds weird, but they also need a good personality.

“You might think what’s that got to do with what you do on stage? But someone’s personality really comes out in a performance, and no one wants to see an egotistical guy who thinks he is God’s gift on stage.”

Cross believes one of many issues audiences love most in regards to the Thunder from Down Under is that they aren’t “professional dancers, models and actors”.

“They are just normal, everyday guys,” he says.

“So we have got tradies, we have an ex-lawyer and schoolteachers.”

Cross, himself, was engaged on a constructing website when he began stripping on the facet. Even in these early years, he noticed the potential for his sideline to develop into a world phenomenon.

Cross, the son of Greek immigrants, particulars his exceptional journey from a Liverpool housing fee property, by way of the Gold Coast (and an in a single day keep in a Canadian jail cell) to develop into a world leisure impresario, working music festivals and buying and selling in property, within the first episode of latest Sky documentary collection The Secrets of My Success.

Hosted by Ross Greenwood, every episode options an Australian who has “made it”, leading to some wildly completely different success tales. For what it’s price, Cross believes his personal rise may be traced again to 1 factor.

“I never listen to the knockers,” he enthuses. “Even back in the ’80s when people were saying to me: ‘Are you kidding me? This will never work. You’re just a bunch of male strippers.’.

“When you have a vision and a drive and a dream, you can’t listen to the haters.

“You need to have hustle and tenacity. I feel like I still have a long way to go.”

The Secrets of My Success, 8pm AEST, Sunday, Sky News Australia

Originally revealed as Cheeky effort which helped Manpower ship throughout Covid

Source: www.news.com.au